出品单位: 杭州明朗影视制作有限公司
　　一直在外做生意不管村里事情的村主任、靠养鳖发家又热心助人带大家致富的能人、回村创业的大学生村官、仗着哥哥是村主任在村里狐假虎威的几兄弟……
　　他们为了竞选村党支部书记，发生了各种好玩的、激烈的、矛盾的故事……

　　燕清秋康复登台以后，再也没有唱过那出戏，不是因为不敢，而是不愿意再触及那段惊悚血色的回忆。苏月中枪以后，因为子弹偏离心脏半寸，而逃过了一劫。经过法庭审判，苏月被判处终身监禁。半年之后，北平沦陷，大牢也在炮火中塌陷，狱师在收尸的时候，发现苏月已经不知了去向。

　　北方某小城市的大龄音乐女教师王彩玲（蒋雯丽）相貌丑陋，却因天生有一副唱歌剧的嗓喉，相当清高。不甘像周围人一样过平庸世俗生活的她，一心要将根扎在北京。钢铁厂工人周瑜迷上了在广播里献声的王，以拜师的名义对她展开追求，却间接令王爱上了其一心想去北京念美院但屡考屡败的表弟黄四宝（李光洁），然而黄只当王是自己苦闷精神世界的知音。后来，黄因为认为这段纯洁关系被王玷污去了深圳，周对王的再度追求也不了了之。
　　在王以为自己再也无法从身边找到志同道合者时，自小迷恋芭蕾、被旁人视作异类的胡老师（焦刚）走进她的生活，但胡以悲剧将自己与世俗生活作了断将追梦的王进一步打击，伤心之时，她从父母身上发现一直不愿与之握手的世俗生活也有美的一面。这时，自称身患癌症去日无多的高贝贝（张瑶）找到王，想让王助她去北京参加青年歌手比赛，王犹豫一番，决定帮她圆梦，但高的故事原是杜撰。王走到人生的十字路口时，和以前从不正眼相看的邻居（董璇）成了朋友，而在结束了与她的短暂友谊后，王以自己的方式和世俗生活言和。

　　Nightride is a dryly humorous real time one shot thriller set on the midnight streets of Belfast. It places us in the driver’s seat with smalltime dealer Budge as he tries to pull one last deal with cash borrowed from a dangerous loan shark. When the handover goes catastrophically wrong, Budge finds himself in a race against time to find his missing product and get a new buyer before the loan shark tracks him down.

　　役所广司饰演生活在山里的陶艺师神谷诚治，吉泽亮饰演活跃于国外的儿子学，讲述生活环境不同却有着血缘羁绊的家人们的故事。共演还有MIYAVI、松重丰、佐藤浩市、中原丈雄、室井滋等，另外还有通过试镜选出的没有拍戏经验的国际演员们，导演由成岛出担任。片中，因工作被派往阿尔及利亚的儿子学带着未婚妻纳蒂亚回到父亲神谷诚治身边，他接着结婚辞去工作，打算接手陶器业务，但是被诚治反对，生活在日本的巴西青年马克斯得到过诚治的帮助，觉得他很像亡父，对他的陶器工作很感兴趣，而返回阿尔及利亚的学和纳蒂亚却遭遇了悲剧。

　　本片为1963年第二届金马奖优等剧情片，为大师李翰祥执导，王月汀编剧，由金马影后李丽华饰传奇天后武则天，赵雷饰唐高宗，另有丁宁与二位导演罗维、胡金铨主演，张冲、张仲文及严俊客串。故事描述，武则天有倾国之貌，绝世才华；年十四，唐太宗召为才人；及太宗崩，武入感业寺为比丘尼……

　　东京下町某个街角，经营和果子店的久留里卓三（吉田钢太郎 饰）脸上洋溢着幸福羞涩的笑容，他笨拙地使用智能手机，和久未谋面的女性设乐靖子（高冈早纪 饰）取得联系。卓三留下小茜（高畑充希 饰）看店，满怀期望地启程赶赴和靖子的约会地点。十年前他爱恋这位美丽女子，可是对方却在表白 之前与他人结婚。时光流转，太多人事已经改变。又过了许多天，在某个飘雨的日子，卓三重逢有过一面之缘的百货公司策划员木崎美雪（黒川芽以 饰）。有过三次失败婚姻的卓三，与女孩游走在有着悠久历史的街头巷尾，寻求期待已久的幸福……
　　本片根据久留里卓三的原作改编。

　　Haim-Aaron是一个来自耶路撒冷的极端正统派的宗教学者，他的才华和虔诚受到所有人的嫉妒。一天晚上，为了进行自愿斋戒，他摔倒了并失去了知觉。护理人员宣称他死了，但他的父亲不愿让他离去，对他进行了复活。出乎意料的是Haim-Aaron活过来了。这场意外过后，这位学者对他的研究一直保持冷漠。他突然感到他的体内有一种奇怪的感觉苏醒了，他怀疑上帝在考验他。当他的父亲注意到他儿子举止的变化时，他尝试原谅他，但一直受到恐惧的折磨，害怕他让儿子复活违背了上帝的意愿。

　　安娜是当红明星、时尚界宠儿，一次聚会时意外身亡，被送往医院停尸间等待下葬，正巧哈维同伊万找在停尸间工作玻出去搭妹，得知这个平日遥不可及的漂亮明星就赤裸躺在停尸间，吸嗨后的玻同伊万打起尸体的主意，毒虫上脑的玻跟伊万不顾哈维的反对亵渎了安娜尸体，谁知安娜奇迹般的复活了，伊万想要杀掉安娜掩盖事实，一场杀戮就此展开...

　　本片讲述空军上尉甘见·萨塞纳开创历史的从军之途，看她如何从一位怀抱雄心壮志的飞行员，一路到卡吉尔战争期间，成为印度首位女性战机飞行员。

　　口哨声响遍土耳其偏乡的高山低谷，是村民隔空传话，也是哑女与人沟通唯一途径。贵为村长爱女，虽免戴头巾的规范，却难避众人鄙夷目光。奔走山岭，希望射杀野狼以赢得尊重，不料被神秘负伤男子突袭，肉体心灵亦一并被俘虏。饿狼传说令人心惶惶，未及父权社会的封建巨灵，更令少女恐惧。一趟北部之旅与坚毅女子偶遇，启发辛却斯与佐凡尼提谱写这现实、梦幻与民间神话交织的故事，以自由呼啸，为独立自强的女性呐喊。

　　穷女孩受到命运女神满神（陈红）的特殊眷顾，长大成人后做了集万般宠爱于一身的王妃倾城（张柏芝），但是因此也成了被命运咒语所诅咒的“永远得不到真爱，除非时光倒流，人死复生”之人。在与北宫爵无欢（谢霆峰）、大将军光明（真田广之）等人进行的爱情角力中，倾城一次次被对方当作筹码，咒语灵验。
　　但是身分卑微的奴隶昆仑奴（张东健）却是真心爱着倾城。他期望用自己接近光速的奔跑来打破加诸在倾城身上的命运锁链，好让她返回人生的起点重获选择的权利。

　　在为索尼哥伦比亚完成Facebook创始人故事片《社交网站》（The Social Network）之后，大卫·芬奇（David Fincher）又将继续和他们合作，拍摄一部讲述美国国际象棋大师鲍勃·费舍（Bobby Fischer）生平的传记片《弃卒》（Pawn Sacrifice）。
　　鲍勃·费舍是美国国际象棋界的偶像级人物，他曾于1972年在冰岛首都雷克雅维克举行的国际象棋世界冠军挑战赛上，代表美国击败了前国际象棋世界冠军——苏联的鲍里斯·斯帕斯基（Boris Spassky）。
　　《弃卒》剧本由斯蒂文·奈特（Steven Knight）创作，制片人盖尔·卡茨（Gail Katz）若干年前就开始为哥伦比亚公司筹划此片了，除他之外，传闻将主演该片的托比·马奎尔（Tobey Maguire）也将担任制片人。

　　Gwen Cummings is a successful New York writer living life in the fast lane and everyone's favorite party girl. She shares this roller-coaster lifestyle of hopping from dance club to bar to hangover with boyfriend Jasper-handsome, magnetic and equally attracted to life on the wild side. Life is just an exercise in debauchery-until Gwen's ungraceful display at her sister Lily's wedding, when she gets drunk, commandeers the limo and earns herself a DUI and 28 days in court-ordered rehab. There, Gwen comes face to face with a unique set of rules (like no cell phones) and rituals (like chanting) embraced by an assortment of fascinating fellow re-habbers: Eddie, Gerhardt, Oliver, Andrea, Roshanda, and Billie Jean. A jaded city girl to the core, Gwen is determined not to conform. Then she meets Counselor Cornell, who begins to break through her carefully constructed defenses and force her to take a closer look at who she really is. Ultimately, through the companionship of! her group as well as a devastating loss, Gwen gradually loses her cynicism and begins the long struggle to take back her life. Maybe, she discovers, your insides can match your outsides.

　　Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

8-year-old Billie leans on her vivid imagination, and her loyal best friend Sherry, to unravel the web of secrets shrouding her mother's true identity.