O somma luce
308
4.0
HD
O somma luce
4.0
更新时间:06月01日
主演:Giorgio Passerone
简介:

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
  “The end of paradise on earth.”—Jean-Marie Straub
  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
  The mise en scène of what words exactly?
  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
  Is “Straubie” Greece?
  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

3028
2010
O somma luce
主演:Giorgio Passerone
惨死[电影解说]
261
7.0
已完结
惨死[电影解说]
7.0
更新时间:06月01日
主演:麦察蓉普拉,Akara Amarttayakul,苏帕克森·柴蒙蔻,唐宸禹,Uttaporn Teemakorn,Wiradit Srimalai,Pimolrat Pisalayabuth,Kachapa Toncharoen,Vasana Chalakorn,Ratchanont Sukpragawp,阿丽莎拉·唐伯妮苏
简介:

  《失火夜店的丧命焦尸》:除夕夜,时尚男女云集Santaka夜店狂欢,却遭遇大火,致令死伤者众多。青年阿姆(Akara Amarttayakul 饰)在灾难中失去女友帕塔玛,因此痛苦不堪。灾难的突然和悲惨,使得死难者心有不甘,久久徘徊人间;《死刑监狱的索命冤鬼》:泰国某监狱内,每到夜晚就会有一名身穿红色囚服的男性鬼魂出现,他与囚犯们说话,时刻骚扰着他们的神经,囚犯们不惜以自杀的极端手段来逃避;《公寓顶楼的水箱腐尸》:某幢大厦发生一起凶杀案,凶手趁人不备,将女尸仍在顶楼的水槽内。饮用此水的居民接连遭遇奇怪现象,凶手的噩梦远远没有结束;《求欢宾馆的肢解藏尸》:两男一女到情人旅馆寻欢作乐,殊不知他们的房间内藏有一具女尸。夜深人静,诡异恐怖事件频发……
  本片4则故事均取材自泰国真实的新闻事件。

1400
2010
惨死[电影解说]
主演:麦察蓉普拉,Akara Amarttayakul,苏帕克森·柴蒙蔻,唐宸禹,Uttaporn Teemakorn,Wiradit Srimalai,Pimolrat Pisalayabuth,Kachapa Toncharoen,Vasana Chalakorn,Ratchanont Sukpragawp,阿丽莎拉·唐伯妮苏
更好的世界[电影解说]
251
8.0
已完结
更好的世界[电影解说]
8.0
更新时间:06月01日
主演:米卡埃尔·佩斯布兰特,崔娜·蒂虹,马库斯·瑞格德,威廉·约翰·奈尔森,乌尔里奇·汤姆森,卡米拉·戈特利布
简介:

  瑞典医生安东(米克尔·佩斯勃兰特 Mikael Persbrandt 饰)常年工作在苏丹的难民营,每天直面武装暴力造成的伤痛与死亡;休假时则飞返丹麦,与分居中的妻子玛丽安(崔娜·蒂虹 Trine Dyrholm 饰)轮流照看两个儿子。男孩克里斯蒂安(威廉·约翰·奈尔森 William Jøhnk Nielsen 饰)从伦敦迁至丹麦,母亲的病逝令他与父亲心生隔阂。在新学校中他与安东的长子伊莱亚斯(马库斯·瑞格德 Markus Rygaard 饰)结识,后者因瑞典人的身份受到同学的歧视与欺凌。克里斯蒂安教会伊莱亚斯以暴制暴,两个同样来自破碎家庭的男孩成为好友。
  安东带着两个儿子和克里斯蒂安外出游玩,因误会被人连续掌掴羞辱。安东坚持以宽容忍让的态度化解此事,却不被孩子们理解。在发现库房里的火药后,克里斯蒂安开始怂恿伊莱亚斯加入自己危险的复仇计划。而此时已经回到苏丹的安东因为救治了恶贯满盈的当地大佬,内心正经历着一场道德的煎熬……
  影片原名《复仇(The Revenge)》,后更名《更好的世界(In a Better World)》,于2011年相继摘得第68届金球奖最佳外语片奖和第83届奥斯卡金像奖最佳外语片奖两项殊荣。

1128
2010
更好的世界[电影解说]
主演:米卡埃尔·佩斯布兰特,崔娜·蒂虹,马库斯·瑞格德,威廉·约翰·奈尔森,乌尔里奇·汤姆森,卡米拉·戈特利布
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