2005年圣节前3天，电子游戏设计员米正在赶制全新游戏－极乐迷宫，准备在圣诞日推出面大量发售．岂料异变突然发生，游戏里的主角苏被病毒感染产生自主意志，厌倦了打打杀杀无限续局的残酷生涯，要求杰米删除游戏程式，另一边厢，电脑集团又派人催促杰米赶快交货，进退维谷的，他只好兵行险著，策动一场网络革命……

　　你有没有想过，是否有可能计算出一个自由落体的玻璃杯会分成多少块玻璃碎片？经过多次实验，一组研究人员成功地完成了这项看似不可能完成的任务。受他们的实验吸引，一位神秘的教授邀请这7个人坐一个船老大的船来到他在大海中孤立的豪宅了解更多关于物理的研究。然而，当这8个人到达时，主人并不在，他们面对的是一个奇怪的豪宅模型。众人很快就明白过来，原来他们将参与一项新的实验，在这项实验中，他们将扮演的是：国际象棋中逃避皇后追杀的小兵。。。

　　一种类似狂犬病的疾病在全球传播开来，将感染者变成极具攻击性的生物。马内尔带着他的猫躲在家中，凭借他的智慧生存下来。很快，他们将不得不外出觅食，寻找陆地和海上的安全之所。《天启Z：完结的起点》是一个身体和情感上的生存故事，伴随着刺激的打斗、紧张的气氛、疯狂的感染......以及一只脾气暴躁的猫。

　　《通向行星路》的制作期长达三年，它是一部雄心勃勃的意识形态电影，包含着极具开创性的特效和精湛的手工模型作品。这部影片对库布里克《2001太空漫游》（2001：A Space Odyssey，1969）中对失重状态、灼热的星球和旋转式的太空站模型的在现实主义描写有着重要影响。
　　Klushantsev的《通向行星路》捕捉到了太空竞争的时代思潮。按照莫斯科电影官僚的指示，他在影片中增加了苏联第一个绕地卫星的模型。结果，这部五十分钟电影在苏联激起了观众的恐慌。据报道，电影片段在美国电视播放时，有些观众恐慌得晕厥过去。
　　这使得他随后的影片也是他唯一一部标准长片——1962年的《暴风雨之星》让人有点失望。这部影片是这一时期苏联科幻电影知名度较高的一部，故事由一队到金星探索的苏联航天员展开，队伍中有四个男人，一个女孩，还有一个笨重的机器人（这个机器人很明显是效仿了米高梅影片《禁忌星球》（Forbidden Planet，1956）中的机器人角色）。当两个宇宙飞船被流星摧毁时，这一队人被迫在星球表面下降着陆。他们一着陆就遇到恶毒的蜥蜴人，掠夺性的翼龙和食人的植物，而最后，他们得以逃离，回到太空中。

Near future. Mankind is successfully exploring space: now a huge Delta station is located in the earth's orbit. Maksim Bortnikov is one of the members of the station repair team. An unexpected catastrophe caused by a proton storm cuts off Maksim from the rest, and he is left alone in outer space.

　　在击败了邪恶的博士，救回了父亲洛赫特（赫里尼克·罗斯汉 Hrithik Roshan 饰）之后，克里希那（赫里尼克·罗斯汉 Hrithik Roshan 饰）和恋人普瑞雅（朴雅卡·乔普拉 Priyanka Chopra 饰）总算携手步入了婚姻的殿堂，过上了平静而又幸福的生活。而洛赫特利则用他的聪明才智制作了很多造福社会的发明。
　　然而，大家都没有想到的是，在一片平静祥和的气氛之下，邪恶亦在慢慢滋生。一个名叫卡尔（维克·奥贝欧 Vivek Oberoi 饰）的邪恶天才，正在利用他的智慧组建一直非常危险的军队，企图给人类带来前所未有的危机。当克里希那挺身而出和卡尔展开对抗时，他并不知道，此次，为了保护世界的和平，他将付出比以往多得多的代价。

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

　　未来的2163年。人类的40名成员驾驶超光速宇宙飞船飞出太阳系，他们的目的地是阿尔法星人马座。在那里找寻是否有和人类一样的生命存在。完成任务后，将经过15年的飞行返回地球。 但是旅程中却碰到了意想不到的情况……
　　《Ikarie XB 1》拍摄于1963年。当时库布里克没有拍出《2001：太空漫游》，人类还没有登上月球。富有想象力的东欧电影人就对宇宙中是否存在除人类以外的生命的问题作出了大胆假想，并在实践中寻找了。本片是捷克斯洛伐克的第一部科幻电影，影片改编自波兰著名的科幻作家 斯坦尼斯拉夫·莱姆的小说《麦哲伦星云》（“Magellan Cloud” ）。

　　五个年轻人巴比、麦克、小桃、朱丽和玛格趁着假期开着小船出海游玩，却因为大意而被搁浅在海上，屋漏偏逢连夜雨的他们又遇上暴风雨，在大雨倾盆的情况下，他们找到了一艘并没有人的豪华游艇，以为找到了桃花源，在里面饮酒作乐，没想到可怕的危险就隐藏在这座豪华游艇里。游艇好像是一个大的实验室，里面有奇奇怪怪的远古鱼类化石。巴比看到实验台上的白色粉末，尝了一下，以为是毒品。而后，玛格被会飞的鱼咬伤，他们才意识到问题的严重。麦克仔细研究了电脑里的资料，发现原来这些鱼都是吃了受污染的浮游生物后发生了异变。可此时已经为时已晚，除了麦克其余四人都被感染。游艇即将爆炸，这些怪物也即将被消灭，只有麦克跳海逃出。谁知怪物并没有死，麦克也没有逃生。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　3位年轻的天文学生的冒险经历，他们在致命的火星人入侵中求生，一路遇到疯狂的牧师和无畏的士兵。

　　2071。银河战争摧毁了月球，改变了地球的气候。莫斯科是热带森林，纽约是一片冰。在莫斯科上空升起一艘巨大的外星飞船-这是一个体育场，在那里进行了星际太空游戏的表演，联合体育和角斗士的战斗。整个银河系都在看比赛。只有运动员才能玩太空。这就是人们所说的那些具有非凡能力并能够管理这些能力的人。宇宙崇拜的一切，除了安东，最普通的人，谁只是梦想找到一份工作来帮助家庭。但有一天，他发现自己的超能力，并接受加入国家队。现在他是一个宇宙飞船的球员。安东还不知道这场比赛的命运决定了他的角色，最后的比赛将是一场为土地而战。

　　A rebellious teen placed in foster care suspects her father is not dead but has been abducted. She is determined to find out the truth with help from a UFO association.

　　青年阿利安非法入境欧洲，在边境遭到警方缉捕，同伴都惨遭射杀，被子弹射中的他，竟意外活了下来。当他被送进难民营治疗，史登医生发现他拥有腾空漂浮的超能力，于是一边助他逃离营区，一边意图利用他的超能力，大发一笔横财…。 史登医生曾因手术失误，专业与人生陷入重创，遭逢瓶颈的他亟欲逆转一切，竟发现阿利安是他唯一的救赎。阿利安能帮富豪治癒绝症，为他赚进大把钞票；他能让天旋地转，替他惩罚势利的人们；他更出手帮助病重的人，助他们完美离开人世…。 阿利安究竟是天使，还是恶魔？为掩盖边境射杀实情，警方对阿利安展开全面追缉，意图追杀灭口。史登医生带着阿利安四处逃亡，却在过程中受到他的启发，决定迎接生命的奇蹟与改变，在险恶世界中展开一场冒险…。

　　Guided by the voice of his GPS, Amir navigates the underworld districts of Tehran to comfort the troubled souls of the night.

　　On the rainy night of October 2, 1968, eight characters waiting on a remote bus station for a bus heading to Mexico City start experiencing a strange phenomenon.

　　Witness the rise of an army soldier as he realize's his destiny and comes to terms to becoming India's first super soldier created to combat terrorists as he fights his inner demons and outer enemies

　　The origins of the Justice League are explained as Detective John Jones and Batman try to discover what the 'Centre' is, Superman and Wonder Woman are soldiers for the United States Army, Flash is trying to live in a world were special agent King Faraday is hunting him and Hal Jordan has been selected to go with Task Force X to Mars.

　　两个不同的人逃离一个荒凉的星球，在太空中寻找新家。

　　Four insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.

　　El film se encuadra dentro del género fantástico. ¿Cuál es su argumento? Mientras media España busca a una niña desaparecida, la asociación de aficionados a la ufología Ovni-Levante prepara su noche de avistamientos. Uno de sus miembros, José Manuel, guarda un secreto: el destino de la humanidad depende de él.

　　邪恶教授Jacob ten Brinken（埃里克·冯·施特罗海姆 饰）通过结合妓女与杀人犯的基因创造出了没有道德观、天性放荡的人造人美女Alraune（海蒂嘉德·纳福 饰），某天夜晚，教授的侄子Frank Braun（卡尔海因茨·伯姆 饰）偶然遇到了Alraune，两人对彼此一见钟情并准备私奔，为阻止二人，ten Brinken教授将人造人实验的事情告诉了Frank，被吓到的Frank独自一人前往巴黎。失去Frank后，Alraune的性情变得越来越轻佻邪恶，她一方面设计陷害自己的情敌和家庭教师，另一方面在四个男人之间周旋：Frank的两个朋友Wolfie和Gerold、她的仆人Mathieu以及教授的雇员Mohn医生，就在她将一个又一个人送向死亡与毁灭的深渊时，Frank突然回来了。

　　2045年，一位导演从地球带着他拍摄的影像素材到达火星，素材是关于他曾经遇到过的越南原住民群体。本片从身份议题、美学、影像政治学到当地葬礼风俗，再到那些有形与无形的力量催生的文化，将科幻片元素与人类学电影相结合，阐释了时间与环境在极大程度上影响着我们对家园这一概念的理解。

　　雾雪笼罩的怪异河岸。四处散落着钢精和水泥。一栋废弃的摩天大楼。平坦处仍未完工的公路桥。一座宏大的金属制的马的雕像。还有一座列宁的雕塑，他的右手伸展着指向空旷处。这是一个冰冷、僵化的无人之境，衰落的往昔在这里与想象中的未来接壤。人们漫无目的地穿过这个不真实的世界。原先确定无疑的事情不再令人确信，亲戚朋友都消失了，理想已经随风而散。萨莎从国外返回家乡，她死去的父亲曾经是这片建筑工地的主人，现在她继承了这笔遗产：一位正在寻找工友的吉尔吉斯斯坦工人；一位前额有块反着光的红色皮肤的建筑师；一位曾在莫斯科路障旁与叶利钦比肩站立的导游。他们中的一些人会莫名其妙地流鼻血。一位年轻的学生问道，“我们是谁？我是谁？一切都混乱无章。”
　　小阿列克谢•日耳曼用七个章节，将他祖国的精神面貌压缩成一部长叙述的象征性电影，一场流畅精心设计的人与摄影机之舞。