Coming out of he closet is never easy, but the gay son has already come out to his parents. They weren't happy, but they still love him. The son arrives home, only to learn that his partner has dumped him.

　　9岁的女孩（候鸟）绑架了3岁的女孩（宝儿），把她带到天涯海角，很远很远的地方……影片叙述了一个普普通通的故事，描绘了儿童的孤独和梦境，说明了儿童需要得到爱，获得安全感，同时反映了一个正在玩着做母亲游戏的女孩的心态。

　　Through this film our aim is to promote the fascinating personality of Nikos Kazantzakis, as well as the enchanting scenery of Greece that molded him into the man he became. The great Cretan writer used to say that his life was defined by his travels and his dreams. This is exactly what the director is planning to achieve with this film; His journeys to Germany, Austria, Russia, France and Mount Sinai and through these experiences, to also show his philosophical and metaphysical quests.

　　露西亚娜曾为一位著名小说家工作，她确信家人的悲惨死亡由此人一手策划，于是求助一名记者揭露事情的真相。

　　陈升和老歪来到约好的插着木桩的河边等“花和尚”，木桩上刻着《金刚经》，陈升猜想风吹过的时候，四周将得到超度。
　　导演阐述：凭着比鸟儿更轻巧的骨骼，追赶一条痉挛的公路

　　著名魔术师罗曼诺夫三兄弟正准备他们的新魔术表演，这将使他们成为举世闻名的明星。本以为一切准备完好，然而在表演过程中，女助手凭空消失在道具水箱中，不见踪影。幕后凶手以女助手生命为要挟，控制着整场魔术表演。三兄弟只得一边进行表演，一边查找凶手。 而从一切偏离轨道开始， 每位工作人员都是嫌疑犯......

　　三个要好的年轻人：叔叔是政治家的奥米（阿米特·萨特 Amit Sadh 饰），板球技术高超的伊什（苏尚特·辛格·拉吉普特 Sushant Singh Rajput 饰）以及处事稳重的戈文德（拉吉·库玛 Raj Kumar Yadav 饰）不甘一生碌碌无为，怀着一腔抱负，决心开始创业一展拳脚。而他们看中的事业则是三人都喜爱并热衷的板球运动。为了开发印度的板球市场，他们从奥米从政的叔叔手中借钱开了一家体育用品商店，同时提供培训青少年板球课程。在培训过程中，伊什发现了一位板球小天才，一心要培养他成为明日板球之星，对生意不闻不问；负责经营商店业务的戈文德，在给伊什的妹妹维迪亚（阿姆里塔·普利 Amrita Puri 饰）日久生情，两人情愫暗生；而奥米则在叔叔的劝说下开始了从政生涯。本要同甘共苦大干一场的三兄弟，他们的事业却因种种意外和变故止步不前。这场圆梦大冒险到底能否实现？
　　影片根据著名作家奇坦·巴哈特的《The 3 Mistakes of life》改编而成。

　　年轻人阿米德（阿米德柯曼尼Amid Keomany饰）正在照顾一位即将离世的老妇阿梦（席梦娜米拉万Simone Milavanh饰），他随身带着〈西藏度亡经〉，为她朗读典籍中生死奥秘，帮助她能顺利往生。阿梦的人生即将灭熄，阿米德的成年生活才正要开始，他乘着小舟顺着湄公河划行，遇到年少僧人毕恩（熊图莫Toumor Xiong饰）向他探询典籍奥秘，他于是随着这群僧侣，前往了川流之源…。
　　这时，坦尚尼亚东海岸的女孩接生了一头小山羊，并为它取名「妮玛」（祝福之意）。女孩和家人依海为生，妇女种植海带，男人捕鱼，万物自有循环，大自然有其自我更新的力量。

　　June 1982, Sicily. While Italians dream of winning the World Cup, two adolescents dream of living their love story without fear.
　　Gianni 17, is bullied because of his homosexuality but his life changes when he meets by accident Nino 16, a captivating and innocent boy. The profound friendship they develop will without embarrassment turn into love, as they start working together for Nino’s father, shooting fireworks. When their bond is discovered by their families, the consequences are as violent as the times and mores are conservative. The two teenagers are separated by force but ready to challenge everything and everyone, convinced their love can defeat death.

　　Stefan finds that he can no longer tolerate the arrangement of his cheating wife ... he, the husband, gets her during the week and her lover gets her on the weekends. At the same time the wife finds herself increasingly drawn to the violence of her lover versus the adoration of her husband.

　　When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
　　Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.

　　Agathe von Trapp, the eldest daughter of a well-known musical family, overcomes many obstacles to peruse her musical career and move to the United States.

　　Meis，15岁，生活在一个边远的地方，渴望轰轰烈烈的生活，但他生命中所有发生的不过是在时光流逝中，等待着下一辆车闯进家里。她幻想着她会想要去照顾那个名叫Brad的年轻司机，也许还会跟他做爱的。父亲也在等待下一个司机重新带来一些英雄气息。母亲也在等待同样的时刻，那样他们就能永远地离开这个城市。自从父亲首先冲进屋里，祖母便无法控制地颤栗，而且似乎最近更严重了，Meis期盼这是某种事情将要发生的预兆。全家人都在这个被一分为二的房间里面等待着，因为自上一次冲突后，祖父已表明3.3米的安全线已经不适合居住。祖父从残桥上摔落溺水而亡之后，他们都在等待下一个司机闯入屋。在一个梅斯不顾禁令闯入危险残桥的夜里，救赎终于降临了。一辆货车从房前扬起的尘雾中钻出来，在这车里，解锁之匙将谎言都实化，展开。当然如果这个19岁的少年，他的名字叫Brad，那就就更好了。

　　一场战争在乌克兰东部的顿巴斯爆发，由此衍生出军事冲突、犯罪行动以及分裂主义者主导的大肆劫掠。在顿巴斯，战争已是常态，政府宣传自诩真相之源，仇恨变成了爱的方式。走入顿巴斯，就像踏上一场疯狂的旅行，悲剧和荒谬与生死相交织。这并不是一个关于某个地区、某个国家或某种政治体系的故 事，而是展示了一个迷失于谎言与真相，寻找自我身份的失落的世界，这事关我们每一个人。

米沙和菲利普从小就是好朋友，但菲利普不得不和他的父母搬去另一个城市。此刻，他们的深厚友谊突然开始分崩离析。之前看似天真无邪的儿戏，却变成了崭新而陌生的感情。他们必须弄清楚事情的真相。

　　Rabiye Kurnaz is someone you might generally call an ordinary woman, except that she is a real dynamo. Taking care of her children and much more, she is the one running the show in her terraced house in Bremen. Shortly after the attacks of September 11, 2001, her son Murat is accused of terrorism and is (one of the first) shipped off to Guantanamo prison camp. This marks the beginning of a journey into the heart of world politics for this resolute German-Turkish woman. Together with human rights lawyer Bernhard Docke, whom she soon has completely on her side (like almost everyone around her), she battles for the release of her son – using her very own brand of self-taught English – all the way to the Supreme Court in Washington, D.C.
　　Cologne-based comedienne, author, presenter and much more Meltem Kaptan is the perfect fit for Andreas Dresen’s special talent for combining explosive topics (in this case based on actual events) and the everyday concerns of the average citizen. Kaptan’s, or rather Rabiye’s, performance is overwhelming, and not just for the lawyer (played by Alexander Scheer) who quickly becomes a friend. A portrait of a passionate woman who holds the steering wheel of her beloved vehicle as firmly in her hand as she does the reins in this turbo-charged film.

　　他是逃离繁嚣城市的建筑师，她是躲在乡间旅社的小女仆，害羞的视线交会之后，生命从此开始了温柔甜蜜的新生，然而过去真能就此罢休？海啸之后，以为复原的土地，原来灵魂早烙上伤痕。泰国新锐令人惊艳的凝炼之作，媲美《恋恋风尘》的温柔沉静，诗意如画的细致影像，娓娓诉说一则幽微动人的小镇爱情，以及掩映在浪漫背后的创痛。

　　张英（崔新琴 饰）因为患有小儿麻痹症而导致右手残疾，但她并没有因此而放弃对生活的追求。相反，她勇敢地顶替了胡萍成为新一届的先进生产者，并开始探索生产下降的原因。通过走访胡萍的家人，她了解到了胡萍离家去住厂里的原因，是因为与马路工谈恋爱而与母亲闹僵。
　　为了更深入地了解胡萍的情况，张英选择了接近她的方式，借学游泳的机会与她接触。再次访问胡萍的家时，张英与胡萍的母亲谈论了胡萍对母亲的思念之情。在这个过程中，胡母意外看到了自己介绍给女儿的男朋友，驾驶摩托车载着儿子的女友，这一情景让她感到震惊昏了过去。幸运的是，张英的男友——马路工宋力德及时出现，救了她。这一意外事件让胡母觉悟过来，明白了重拾亲情的重要性。最终，胡萍与马路工宋力德有情人终成眷属，而胡萍的弟弟胡晋也向心灵高尚的张英表达了爱慕之情。这个故事充满了感人的情感和温暖的人性，展现了生活中的真情与温暖。

　　A group of immigrants (Pandi, Murugan, Afsal and Kumar) are detained by the local state police, tortured and forced to admit to a crime they have no knowledge of. When all hope seems to be lost, a policeman from their hometown speaks on their behalf at the court hearing, setting them free. The policeman asks for a return favor and the boys oblige, oblivious to the ill fate that awaits them. As they unwittingly bear witness to a political treason, the system seeks to silence them, at any cost. But Pandi is determined to be heard.

　　大城市調來的刑警查起印尼與馬來西亞邊界發生的一連串凶殘命案，卻在過程中被迫面對過去的夢魘。

　　After marriage, a woman struggles to be the submissive wife that her husband and his family expect her to be. The story follows her journey, as she changes herself and, even more so, changes the household.

　　影片"Катя Измайлова"改编自列斯科夫的随笔《姆岭克斯县的马克白夫人》。
　　女作家的儿媳妇卡佳和作家别墅的帮工谢尔盖一见钟情。30岁的卡佳在谢尔盖身上找到了从未有过的激情，受情欲支配的她只要有机会就要和谢尔盖做爱。卡佳对工作的懈怠引起了婆婆的不满。卡佳为了扫清她和谢尔盖今后生活的障碍，婆婆生病时故意拖延时间使之丧命，然后和谢尔盖一起将自己的丈夫杀害掩埋。卡佳以为从此她就可以开始过幸福的生活了。但谢尔盖早有女友，他对卡佳也是另有图谋。得知真相的卡佳约谢尔盖和其女友一起进城，半途中，卡佳谎称汽车抛锚要谢尔盖修车，等谢尔盖下车后，卡佳发动汽车，将自己和谢尔盖的女友一同坠入河中摔死。
　　导演瓦·托多罗夫斯基是俄罗斯新生代导演中的佼佼者。或许出生于电影世家（其父是著名导演，曾执导电影《国际女郎》，其母是编剧及制片人）让他对镜头有一种天然的敏锐。新颖的视角，影调构图的个性设计赋予影片难得的精致与优雅，对场景和对白的精雕细琢给影片提供了深厚的底层铺垫。本片看似曲折、充满谋杀的剧情其实只是为了商业上的宣传，导演更注重叙事的结构。大气、精细、个性化似乎已经成为瓦·托多罗夫斯基影像作品的风格。