坑蒙拐骗外星人

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

　　A family man struggling to hold it all together discovers a hidden parlor that offers a solution...sexbots.

　　经历了许多危险的旅程，在时空中与最可怕的怪物对决后，第十三任博士终于迎来了她最后的冒险，对抗她最致命的敌人: 戴立克、赛博人和她的宿敌——法师。
　　是谁在一个遥远的星系边缘攻击一辆高速行驶的列车？为什么地震学家从21世纪的地球上纷纷消失？那些失踪的世界名画究竟下落何在？为什么一个戴立克要主动和博士联系？在1916年的俄罗斯，妖僧拉斯普廷和沙皇尼古拉斯之间究竟发生了什么不为人知的故事？一重重威胁在博士面前展现，面对这场生死之战，她将何去何从……

　　1999年，长峰博士在赤道附近发现了加欧斯的变异种，同时候在日本西南方的海中发现了卡美拉的墓场。
　　时间回到1995年的东京，因为加欧斯来袭，比良坂绫奈一家人准备离开东京，此时卡美拉受到加欧斯的攻击而落下，在卡美拉起身时破坏了绫奈的家，而绫奈的父母来不及逃出。目睹父母身亡的绫奈，从此开始憎恨卡美拉....
　　时间再拉回到1999年，居住在乡下亲戚家的绫奈饱受同学的欺负，有一天绫奈被同学叫到供奉一个东西叫做"柳星张"的神社，同学要绫奈将里面的东西给搬出来，此时世世代代守护着柳星张的守部家成员守部美雪见到此状，于是偷偷的去告知自己的哥哥龙成，龙成便到神社将绫奈的同学赶走，此时绫奈把东西搬出来，龙成便要求绫奈把东西给搬回去，但是在绫奈搬走东西的原处，两人发现了一个奇怪的东西，两人见状便吓得逃走，到了晚上，那个东西出现了变化，里面出现了一个东西...
　　而在此同时，加欧斯出现在东京涩谷上空，没多久之后一阵爆炸声，加欧斯被击中，并且坠落在涩谷车站，此时卡美拉从空中降落.....

　　A series of eerie events thrusts an unlikely trio (John Boyega, Teyonah Parris and Jamie Foxx) onto the trail of a nefarious government experiment in this pulpy mystery caper.