雕像也会死亡

　　Spanish-Mexican writer Paco Ignacio Taibo II hits the road to trace the footsteps of Ernesto "Che" Guevara and sheds new light on the revolutionary.

　　The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary.  Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco.  This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.

　　A man's struggle against himself and against time. Kenyan runner Eliud Kipchoge dreams of completing a marathon distance of less than two hours. An achievement that is considered unattainable for a human being. Here we follow him as he prepares to break the impossible record. Is he able to break the magical two-hour limit and write history?

　　The Sandy Hook massacre was considered a watershed moment in the national debate on gun control, but the body count at the hands of gun violence has only increased. Through the lens of the victims' families, as well as pro-gun advocates, we examine why our politicians have failed to act. World Premiere

　　「布洛卡區」是「伏流」導演蘇明彥的首部長片，以矽膠娃娃共享旅館為背景，耗時8個月觀察旅館來來去去的人們與娃娃，試圖探索有話難言、失語的人們與消逝的記憶。

　　影片聚焦英国著名的旅行作家布鲁斯·查特文，他因感染艾滋病于1989年去世，而他的多年好友赫尔佐格在如今仍用该片表达了怀念。
　　影片以极为私人的笔触描绘两人多年的知己之情，查特文怀着对真相的热情，走到了世界的各个角落，而赫尔佐格也上路，去探访查特文一直着迷的东西——游牧生活，“那些狂野的角色、奇怪的梦想者，关于人类存在的本质的远大概念”。

　　ACLU lawyer Jeffery Robinson’s shattering talk on the history of U.S. anti-Black racism is interwoven with archival footage, interviews and Robinson’s story, exploring the legacy of white supremacy and our collective responsibility to overcome it.

　　在高速發展的中國，像蘇這樣的流浪者的生存空間已經越來越小。在杭州一條正在建設的二十四號大街旁邊，蘇和情人琴開設了一家簡陋的餐館，但因為沒有經營許可證，他們和其他一些非法住戶總是受到政府的驅趕，處世不驚的蘇和琴在另外的地方又建立起一個自己的餐館，但不久又被政府拆除。蘇決定回到故鄉，那裡有著他曾經的家庭和兒女，同時也有著琴的家人。但是已經在外闖蕩了30多年的蘇，家人對他的到來並不歡迎。導演通常默默地觀察蘇和琴的歷險，但偶爾也會介入，當蘇開始有不道德的行為欺騙他人時0.24號大街有著豐富多彩的主人公，影片展現了現代化進程中中國的轉折，和那些追趕不上這個國家飛速發展腳步小人物的故事。
　　China doesn’t have a lot of room anymore for peddlers like Su. He set up a ramshackle restaurant next to a construction site on 24th street in Hangzhou, but of course he neglected to obtain a permit. Unsurprisingly, the authorities send him and the other illegal dwellers away. Unfazed, Su and his girlfriend Qin find another place for their restaurant, only to be sent away again. Su then decides to go back home to the countryside, where his wife and children, along with Qin’s family, still live. After being away for 30 years, the couple isn't exactly welcomed back with open arms. Filmmaker Zhiqi Pan usually observes Su and Qin’s adventures without comment, but does step in on occasion, such as when the unscrupulous Su is trying to cheat people. With its colorful main character, 24th Street offers an original twist to the story of modernizing China—and those on the fringe who can’t keep up.

　　在全球视野里审视中国美食的独特性，在历史演化过程中探究中国美食的流变，深度讨论中国人与食物的关系。这种立足于全球的视角，成就了一个多元的“美食探索纪录片”。

　　《浴火新生》讲述了残奥会的非凡故事。从二战的伤兵到全球第三大体育赛事，残奥会激发了一场全球运动，不断改变着世界对残障、多样性和人类潜能的看法。
　　该电影中的运动员包括贝贝·维奥（意大利）、艾莉·科尔（澳大利亚）、让-巴蒂斯特·阿莱兹（法国）、马特·斯塔兹曼（美国 ）、乔尼·皮考克（英国）、崔哲（中国）、赖利·巴特（澳大利亚）、恩坦多·马兰古（南非）和塔季扬娜·麦克法登（美国）。

　　CGTN英文纪录片通过“中国最直接的安全威胁”、“‘东伊运’的分裂主义策略”、“反恐任务任重道远”三部分内容，独家呈现“东伊运”这一幕后黑手的种种恶行。

　　第二次世界大战结束不久，韩战在朝鲜半岛爆发。多灾多难的朝鲜民族经历了无数苦难，最终却被分裂成两个截然不同的国家。两种体制的对立和敌视不仅在半岛引起波澜，连同远在异国他乡的朝鲜人也受到深刻的影响。因历史原因驻留日本的朝鲜人内部也分裂成支持共产主义的“朝鲜总联”和支持资本主义的“民团”，他们为了各自的理想和目标笃定奋斗着。坚信共产主义的梁公善和康静姬夫妇在20世纪70年代将3个儿子送回平壤，由于日本与北朝鲜没有外交关系，3个儿子被禁止访问日本。亲人一别三十余载，割不断的却是血液中的骨肉亲情。在梁公善70时大寿之际，他和妻子、女儿飘洋过海辗转回到牵念的平壤和儿子们的身边……
　　本片荣获柏林国际电影节最佳亚洲电影奖、圣丹斯电影节评委会特别奖、山形国际纪录片电影节特别奖。