住在北海道的主人公・外村直樹（山崎賢人）和高中钢琴的调音师・板鳥宗一郎（三浦友和）相遇开始。在板鳥调音后的钢琴音色中外村仿佛感受到了森林的气息，为这个工作以及调音师的世界所吸引而开始在板鳥所在的乐器店工作。 因钢琴而联系到一起的人们中，他还遇到了高中生钢琴姐妹和音和由仁 ……。经历了烦恼，迷茫，挫折后成长的青年钢琴调音师的故事。
A man (Young) comes round after a car accident, and realises that a perfect crime is now possible: any movie with this scene can't fail. From this halfway point, the anxious mood of this rare noir thriller thickens fast. Jane Greer and Susan Hayward in turn tempt Young (a spineless louse) from his rich wife (Johnson). We know he's wretched, but is he guilty of murder?
Alice作为私家调查员伪装成偏执病人进入一家精神病医院来收集关于一个内部人员离奇死亡案件的证据。不过她在医院的“疗养”期间所遇到的事情超乎了想象，而她的理智告诉她这一切背后必有文章。一段完全陌生又充满激情的故事即将展现在她面前。本电影改编自Torcuato Luca de Tena同名小说。
印度每年有超过二万宗针对女性的暴力罪案，平均每二十二分钟就有一名女性被强暴，每六小时就有一名妇女因家庭暴力丧命。年轻的基层女警索妮与上司卡帕纳在德里一同接手调查不同的女性暴力事件，在办案过程中往往遭受到了重大阻力，无日无之的罪案令她脾气暴躁，做事方式偏离常规，被裁定在执勤中行为不当，而私人生活也影响到了她的职业表现，与丈夫已经彼此疏离，却要被迫面对他突然的到访。印度电影少见的写实题材，以一场一镜营造出真实迫力，将社会低下层女性受到压迫的问题表露无遗。
影片故事讲述一个变态杀人狂（朱智勋 饰）藏匿了7起杀人案，他将和调查这些案件的刑警（金允石 饰）展开正面交锋。
讲述了山村妇女秋月的故事。
Partenope(意语拼法)，她和她的城市同名，但她不属于海妖或神话人物。从1950年出生到现在，她漫长的一生体现了人类存在的全部色彩：青春的快乐和消逝，古典美的时过境迁，无意义和不可及的爱恋，平淡的调情和疯狂的激情，卡普里岛上的月夜之吻，幸福的瞬间和痛苦的延续，真实和虚构的父亲 ，结束和新的开始。还有许多其他人物：被注视和被爱着的男人和女人，他们的忧郁和沮丧，他们的焦躁和失望，他们对再也无法因一个优雅男士在街头跌倒而发笑的痛苦。所有这一切都伴随着时间而流逝，时间是她最忠实的伴侣。还有那不勒斯，她诱惑而迷人，她喧闹又大笑，她也知道如何伤害你。
考完大學入學考，20歲的男同志光浩和朋友到同志酒吧放鬆一下。他在那裡偶然認識了俊，毅然決然跟著他到首爾的家裡過了一夜。
成濑巳喜男反映乡村家庭伦理之作。寡居乡间多年的八重（淡岛千景 饰），同家中的叔叔一起，为下一辈子女的工作和婚姻事务四下奔波。但年轻人却各自有着自己的想法，向往现代生活而不愿继续安守着祖上的田地，对父辈安排的婚姻也有保留，令长者心力交瘁。八重与一位已婚记者悉心地照顾着侄辈，妥善地处理好两代人的冲突纠纷，在这一过程中，两人情愫渐生，彼此隐约地珍存着这份超出友谊的恋情。 末了，八重在对方选择逃避后冷静地克制住自己的感情，而叔叔对后辈的选择虽不以为然，却是无可奈何，卖出了耕作多年的田地后，也只能徒然感慨时代的无情变化。
A Midwestern husband and father announces her plan to have a sex change operation.
碉堡山军官预校的校长是一个具有强烈好斗精神的军官，他一向的治学方针是培养学生强烈的战斗精神。不过，当地政府计划将该校拆除，以利于发展当地的城市建设。在双方没有达成共识的情况下，当地政府强行拆除，有部分学生誓死护校，并武装起来与军警对抗。 本片故事情节虽有点令人难以置信，但编导哈洛德·贝克的处理却颇为紧凑有力，对于军校学生追求荣誉与责任的精神尤其表现得动人。参于此片的几位青春派男星乔治·C·斯科特、蒂莫西·赫顿、罗尼·考克斯、西恩·潘、汤姆·克鲁斯均是从本片开始崭露头角的。
Appoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.
Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police. When the two kidnappers are arrested, a local journalist (Richard Carlson) writes a series of hate-filled articles about the two prisoners which eventually lead to a brutal lynching. The despair of the lower middle-class: A family man ashamed of being unemployed allows himself to be convinced by a gangster to take part in a kidnapping. The police arrests them both and the anger of the small town’s population is unforgiving. THE SOUND OF FURY is a dark crime movie that builds up to an apocalyptic storm, but never loses sight of social realities, thus telling a lot about the daily despair of the working-class. A masterpiece, it was Cy Endfield’s last film before he felt compelled to move to Britain.
