她[电影解说]

　　为提高《小戏骨》的演出质量，节目组始终怀着向老艺术家致敬的心态认真学习，努力让小演员在形似的同时做到神似。开拍前，他们会跟小演员反复讲剧情背景，讲现实意义。拍《小戏骨：焦裕禄》这出戏时，一些小孩子会觉得“我生活这么好为什么还要学焦裕禄？”节目组就会耐心地引导小演员：每个人都应该去关爱社会、关爱人民，奉献精神永不过时。

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

　　在日本侵华战争的八年间，至少20万中国妇女被迫沦为日军的性奴隶，也就是我们经常提及的“慰安妇”。在影片2014年开拍之时，中国内地仅剩22位“慰安妇”幸存者。当光阴慢慢划过，时间抚平伤口，这些经历了常人无法想象的磨难的老人们，如今又身在何处，过着怎样的生活，经历着怎样的悲喜忧乐？

　　小女孩皮胡爸妈前一天吵架,说了重话.皮胡爸爸第二天一早出去工作,而皮胡妈妈气不过,留下遗言吃安眠药自杀.小皮胡醒来后,在不知道妈妈已死的情况下,在一天时间内,经历了多次生死交关的时刻......

　　上世纪70年代，月黑风高之夜，卖身女陈珍（李丽珍 饰）越狱时不幸失足摔死，一缕魂魄被法师封于关帝像中。十年后同一所监狱，女狱警5354（夏志珍 饰）和男性同僚偷情，结果不慎打破关帝像，致使陈珍鬼魂逃出，被陈珍鬼魂吓到的5354被关帝碎片刺中后脑身亡。女囚徒黑妹（陈佩珊 饰）天生具有阴阳眼，阴差阳错她和狱友都被陈珍好一阵戏弄，不过这对疏途女子到底成为好朋友。监狱有鬼，导致女犯们大为不满，她们联合起来向狱方施加压力。监狱长冯Sir（冯淬帆 饰）无奈，想尽各种办法应对。
　　另一方面，5354因屈死而化作厉鬼，她大闹监狱，无人能够降伏。猛鬼现身，狱方和女囚们将会如何？

　　An amateur camper stumbles across a kidnapping gone wrong, a jailhouse rendezvous, a double-cross, or a revenge plot, depending on which desperate character is misinterpreting the story - a puzzle thrill-ride told with no dialogue.

　　电影《七十七天》是以探险作家杨柳松77天孤身穿越羌塘无人区的真实事迹为蓝本创作。电影中，在生活里迷失了自我的男主徘徊在雪域高原独闯无人区，影片女主身体残疾仍然乐观面对生活，她让他坚定了去尝试世人眼里无法完成的无人区奇幻探险之旅……两个非常状态下的真实人物，真诚、勇敢的面对命运选择挑战，不懈的追寻着内心最初的梦想与真正的自我...影片在节奏、画面、张力上会给观众强烈的视觉冲击，让观众跟随主人公经历一场无与伦比的探险之旅。

　　薇薇安（艾玛·汤普森 Emma Thompson 饰）是一位学识渊博的博士，让年轻的她没有想到的是，上帝竟然给对生活和学术充满了热情的自己开了一个天大的玩笑，经过医生的确证，她患上了卵巢癌，病情已经发展到了末期，几乎没有治愈的可能。
　　从悲伤、抗拒到最后的接受，薇薇安的内心犹如踏过了千山万水。尽管康复的希望渺茫，但她还是积极地接受了可能令她形销骨立的化疗治疗。在身体逐渐枯萎，头发接连落光的过程中，这位睿智的女性也不忘对自己的前半生进行捉摸和思考，她在有限的生命中看到了无限，最终调整好了心态，以平静之姿态，面对必然到来之死亡。

　　效力于风腾公司的白领丽人薛杉杉（赵丽颖 饰）突然被公司员工叫出来，原来公司老板封腾（张翰 饰）的妹妹封月（张杨果而 饰）急需输血，而她稀有的血型偏巧只有杉杉才有，于是杉杉只得按照老板和主管的指示献出鲜血。大概也从这一刻起，她才发现毕业于三流大学的自己能够进入这家令人羡慕的大公司，并非是她有什么过人的才能，更不是凭空撞上了狗屎运，无非是沾了稀有血型之光。献血时间之后，杉杉得以和平时高高在上、不可一世的封腾。许是前世的因缘，一向正能量满满的小吃货杉杉，偏偏成为封腾最爱欺负折磨的对象，有趣的故事也在这一过程中拉开序幕……
　　本片根据作家顾漫的短篇小说《杉杉来吃》改编。

本剧改编自山崎丰子的代表作，以纪念其诞辰100周年，描绘了以吉本兴业创始人吉本势为原型的主人公河岛多加的生平，她被誉为“日本娱乐界之母”。多加不仅是演艺行业的先锋，还在个人生活中作为妻子、母亲和女性，展现出勇敢而富有情感的一面。她率先采用“试镜制”、发展粉丝经济，开创了现代娱乐战略的雏形。

　　Appoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.