饥饿游戏3：嘲笑鸟(下)[电影解说]

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

　　柯南等人受邀前往大阪参与电影《大怪兽哥美拉VS假面超人》的揭幕式，但制片人米仓却在库房离奇死于巨大怪兽道具的身下。众人用来系住怪兽的绳子被锋利物体划断，大阪警署认为这绝不仅是一场简单的事故......

　　改编自同名短片。
　　In a sophisticated near perfect society 'Schirkoa', where citizens live with paper bags on their heads to dissolve differences, nomadic free thinkers have developed physical anomalies and are banished to live as refugees in an eerie separate state. A fresh council member bag-head number 197A accidentally sparks a revolution in Schirkoa and flees to the forbidden refugee land where he is celebrated as a reluctant demigod. Stranded between the epitome of perfect and imperfect societies, bondage and freedom, 197A seeks to reset his life and begins to search for the architects of Schirkoa with the help of three very different women.

　　Partenope(意语拼法)，她和她的城市同名，但她不属于海妖或神话人物。从1950年出生到现在，她漫长的一生体现了人类存在的全部色彩：青春的快乐和消逝，古典美的时过境迁，无意义和不可及的爱恋，平淡的调情和疯狂的激情，卡普里岛上的月夜之吻，幸福的瞬间和痛苦的延续，真实和虚构的父亲 ，结束和新的开始。还有许多其他人物：被注视和被爱着的男人和女人，他们的忧郁和沮丧，他们的焦躁和失望，他们对再也无法因一个优雅男士在街头跌倒而发笑的痛苦。所有这一切都伴随着时间而流逝，时间是她最忠实的伴侣。还有那不勒斯，她诱惑而迷人，她喧闹又大笑，她也知道如何伤害你。

　　杰西（多米尼克·库珀 Dominic Cooper 饰）曾经是一名黑帮打手，金盆洗手之后，他回到了阔别已久的故乡，继承了父亲的教堂，成为了一名传教士。每一天，杰西都过着浑浑噩噩的生活，丝毫不将自己神圣的职业当做一回事，然而某日，前女友塔里普（鲁丝·内伽 Ruth Negga 饰）和爱尔兰吸血鬼卡西迪（约瑟夫·吉尔甘 Joseph Gilgun 饰）不请自来，彻底搅乱了杰西平静的生活。
　　一股名为“创世”的强大力量盯上了杰西，寄宿在了他的身体之中，杰西就此拥有了能够操纵他人言行的强大力量，然而，创世亦正亦邪，甚至有可能令杰西丢掉小命，体内藏着这样一颗定时炸弹，杰西一行人踏上了寻找上帝之旅。

　　威廉姆（凯文·克莱恩 Kevin Kline 饰）是一位恪尽职守的教师，他不仅十分热爱自己所教授的课业，同时将教书育人当做是人生的终极目标。一位名叫贝尔（埃米尔·赫斯基 Emile Hirsch 饰）的男生出现在了威廉姆的课堂上，他是参议员的儿子。尽管贝尔桀骜不驯又喜欢带头捣乱，但威廉姆依旧从他的身上看到了闪光点，他决定绝不放弃贝尔。
　　在威廉姆的努力下，贝尔的成绩提升的很快，两人之间的敌对关系也有稍稍缓解。威廉姆十分重视的凯撒知识问答大赛即将开始，贝尔在预选赛中获得了第四名的好成绩，可是，只有前三名能够进入决赛，看着手上的成绩单，威廉姆陷入了深深的沉思，此时的威廉姆并不知道，他接下来的举动将彻底改变贝尔的一生。

　　在19世纪中叶传统的贸易小镇波尔图，自傲的富家公子奥古斯托是作家卡米洛的朋友，他爱上了英国军官的小女儿范妮。面对周遭阻挠和几场分分合合之后，他们终于得以结婚。但婚后，奥古斯托因范妮与卡米洛通信而冷落范妮。之后，范妮因肺结核病倒，在压抑孤独的婚后生活中走向死亡。奥古斯托因命运的磨难，很快就跟随了芬妮的步伐。本片是奥利维拉登峰造极之作，以静止大胆的手法讲述时代变迁社会风起云涌之际贵族间的毁灭式的爱情，以及贵族男所特有扣逼唯美人格。

　　讲述在午夜零时访问“地狱通信”，填写无法平息的怨恨的话，地狱少女将会出现将你所怨恨之人打入地狱的深渊。观众将跟随地狱少女阎魔爱看尽人间百态。

　　恐怖的夜晚，雪莉带领着一票朋友来到极负「盛名」的有凶宅，希望给大家一个大惊奇，她佯称将咒语加遣蛰居在捐宅的魔鬼灵魂，就在她的念咒中猛鬼皇后「安琪」突然现身，欢乐成人间炼狱，一场生与死的痛苦即将来…

　　遭到友人設局而欠下大筆債務的張父，逼不得已帶著一家四口承租花蓮的一處 凶宅，此處過去曾發生了駭人聽聞的五子命案。初入凶宅的當天，一些若有似無鬼影幢幢，加上張父突如其來的搬家舉動，惹的張母與大姊心裡不愉快。即使向張父抱怨，鐵齒的張父以一貫不信鬼神的態度，予以拒絕。
　　張母與大姊逐漸察覺張父欠下債務，躲避討債集團的真相。同時，當年偵辦五子命案的警員胡老上門，瘋癲的模樣，嘴中不斷唸著九月四日的詛咒，說在當天將會發生全家滅門的慘案。警告張家人趕緊搬走。加上小弟身上莫名的發燒與對看不見的對象講話的行徑，加深家人對這棟房子的恐懼。然而張父依舊以一家之主的高姿態，不予理應。
　　直到張父某夜，被一樓老是發出怪聲的後門所吸引，下樓時，真正的親眼撞見五子一家七口出現在餐廳，嚇得落荒而逃……